This post to further explain the recordings of the band used in week 2, with diagrams.
The actual recording positions of each person and instruments used depend on the song (and who turns up – extra brass for example).
The band consists of
Jared ; Laptop – beats, melody, rhythm and probably more.
Euan ; Tabla, Djembe, Guitar, Bass, Vocals.
Liam ; Guitar, Bass, Vocals
Andy ; Saxophone, other windy things.
I’ll just pretend I know the actual instruments for a song, and call it song 1.
Jared will play both laptop and melodica, Euan will play tabla, Liam guitar and Andy saxophone.
Because the bass will be coming from the laptop we can use the deadroom for the guitar amp patched into the live room for guitar input, and then monitor through headphones. In the live room their will be three accoustic instruments, melodica, saxophone and tabla. Using low baffles to minimise cross information with face to face communication still available.
Make up another song with different instrumentation, song 2.
Jared will play the same, Euan guitar, Liam bass and Andy clarinet.
Because there is both bass and guitar – the bass will go in the deadroom, and depending on who’s using the rest of the space there may well be somewhere else to hide the guitar amp outside the recording area – failing that we’ll just baffle it.
More baffles to minimise sound and promote face to face communication.
GENERAL SIGNAL FLOW
There will be different number of mics used depending on song, most in the live room being patched through the wall bay into the studio, one (or just a DI out of the bass amp depending on sounds) in the deadroom patched into the studio. The Laptop outputs can be run straight into the patchbay into the studio also, I’m thinking that these can be patched straight into the line in of the desk in the studio.
From the studio the signals will go into the desk then into the DAC then into the computer into ProTools. Whatever is in the deadroom will be sent through the headphones back to the live room, also any other signal necessary…